Sistema de ejercicios, para mejorar la capacidad del ritmo de las danzas folclóricas ecuatorianas
Main Article Content
Abstract
Introduction: Dancing at early ages helps children develop body control, improve coordination, balance, reflexes, and spatial control, while developing psychomomtricity, harmony, and focus.
Aim: To determine the exercise system applied to improve dance movements in the group of children selected for this study.
Materials and methods: The sample included 15 subjects, 100% of the dance students between 11 and 13 years of age, at the Juan Emilio Murillo, Landin Educational Facility, in Guayaquil, Ecuador.
Results: The data from the three tests (torso movements, falling time, and the roll) were analyzed through the Shapiro Will. The pre-test and post-test showed that after the three tests to the set of exercises, there was a significant reduction of errors in the pre-test, compared to the post-test.
Conclusions: The results of the Wilcoxon rank test were used to corroborate the significant differences between pre-tests and post-tests 1.4 and 5, caused by the implementation of the proposal (P 0.02 < 0.05). This result confirms the efficacy of the proposal implemented.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
As part of the submission process, authors are required to indicate that their submission meets all of the elements listed below, and to be aware that submissions that do not meet these guidelines may be returned to the author.
Declaration of authorship and originality
The author who sends the submission to Science and Sports, certifies:
- That each of the people listed as author has contributed directly to the intellectual content of the work, approves the contents of the manuscript that is submitted to the editorial process and gives their consent for their name to appear in its authorship.
- That the petition has not been previously published, is not under review in another journal, nor does it appear in another work accepted for publication by another publisher.
- That in the event that the content has been presented in a communication or congress, the current petition represents a substantial modification of it and the text on which it is based has been properly cited. An explanation of this circumstance is provided to the publisher in the appropriate place on the submission form ("Comments to the editor" box).
- That each of the people listed as author agrees not to submit this work for consideration by another publication while it is in the editorial process in Science and Sports.
- That the contribution of those people who, not being signatories of the same nor responsible for the final version, have contributed substantially to the development of the work and have granted their permission for such has been recognized in a note of the article, as a way of gratitude. mention.
- That the data and publications on which the information contained in the work is based, or that have had a relevant influence on it, have been cited in the text and in the list of bibliographic references, taking responsibility, in terms of rights. copyright refers to any litigation or claim related to intellectual property rights, exonerating Ciencia y Deporte from liability.
Likewise, the author who submits the work must confirm compliance with the following points:
- The text meets the bibliographic and style requirements indicated.
- If the text has been assigned to a section of the journal subject to peer review ( see section policy ).
- The file sent is in DOC or DOCX format.
- Where possible, web addresses and DOI have been added to references.
Copyright notice
The authors who publish in Science and Sports agree to the following terms:
- The authors retain the copyright, guaranteeing Ciencia y Deporte the right to the first publication of the work that they send to the magazine so that it can be submitted to the editorial process.
- The authors are aware that their work is published under a CreativeCommons (CC) 4.0 License. (CC BY-NC-SA 4.0) Attribution-NonCommercial-ShareAlike 4.0 International. that allows others to share it with an acknowledgment of the authorship of the work and its initial publication in this journal.
- The authors of Science and Sports have the rights to exploit the work that has been published in this magazine, authorizing its Publisher to exercise free reproduction, distribution and public communication for non-commercial purposes.
- The authors know that their work will be stored on servers and reproduced in digital format for incorporation into institutional repositories and databases that will facilitate free access to the full text of the work.
- Authors may distribute the version of the work published in Ciencia y Deporte immediately after the release of each issue (for example, place it in an institutional repository or publish it in a book), with express recognition of its initial publication in Ciencia and Sport.
References
Arantes, Paulo y Schwartz, Roberto (2016) (Eds). Cidades rebeldes. Passe Livre e as manifestaçoes que tomaram as ruas do Brasil. Editorial Boitempo-Carta Maior-Tinta Vermelha. https://blogdaboitempo.com.br/2013/08/06/lancamento-boitempo-cidadesrebeldes
Arce, A., Campos, O., Gómez, C., González, C. (2018). Mov360°. Práctica en el cuerpo y teoría para la danza contemporánea desde el territorio sudamericano. Santiago de Chile: Proyecto financiado por FONDART, Convocatoria 2019. http://bibliotecadigital.academia.cl/xmlui/bitstream/handle/123456789/5872/TDAN%20192.pdf?sequence=1
Barifouse, Rafael. (2017) "Criadores da `dança do impeachment' rebatem críticas: `Música une pessoas no combate a comunismo e corrupção'". BBC. Publicado en Marzo de 2016 https://www.academia.edu/39613781/De_la_politizaci%C3%B3n_de_la_da nza_a_la_dancificaci%C3%B3n
Campóo Schelotto, Diana (2017) «The Pavana in the Choregraphie figurativa, y demostrativa del Arte de Danzar, en la forma Española by Nicolás Rodrigo Noveli (Madrid, 1708): its contextualization and comparative study with the Spanish sources of the 17 th and 18 th centuries». HDS Historical Dance. 4(3). https://bibliografiadanzaespanyola.wordpress.com/2017/07/01
Castañer Balcells, M. (2002). Expresión corporal y danza. Barcelona: INDE Publicaciones.
Cortijo, Antonio (2016) «Fiesta y teatro: la danza y el baile en la anónima Comedia de la invención de la sortija (Monforte de Lemos, 1594)» RILCE: Revista de filología hispánica, ISSN 0213-2370, 32 (3), 2016 pp. 680-701. https://dadun.unav.edu/handle/10171/43520?locale=es Costales
Costales Samaniego, Alfredo. (1996). El Quishuar o árbol de Dios. Quito: IADAP. 195 p https://biblio.flacsoandes.edu.ec/libros/112677-opac
Dallal, A. (2020). Los elementos de la danza (Vol. 1). Dirección General de Publicaciones y Fomento Editorial, Ed. Mexico, Mexico: UNAM. Esparza Ros, F. 5 de enero de 2020). https://www.topdoctors.es/diccionariomedico. http://www.libros.unam.mx/los-elementos-de-la-danza-9789703251346libro.html
Granero Segovia, V. (2017). Lesiones en la Danza. Universidad Miguel Hernández, Alicante-España. http://193.147.134.18/bitstream/11000/3889/1
Intriago, R. V. (2019). Danza folklórica tradicional y su incidencia en el desarrollo del turismo cultural de la provincia Los Ríos. 11. https://repositorio.uta.edu.ec/bitstream/123456789/32548/1/Trabajo%20d e%20Titulaci%C3%B3n%20Final
Muzo Guachamín, L. V. (2017). Influencia de la Danza Ecuatoriana en el desarrollo de la Identidad Cultural. Universidad Central del Ecuador, Quito. http://www.dspace.uce.edu.ec/handle/25000/12482
Opuntia Brava. Lluch, Á. C.-P. (2011). Historia de la danza contemporánea en España. Arte y movimiento: revista interdisciplinar del Departamento de didáctica de la expresión musical, plástica y corporal (4), 17-30. https://dialnet.unirioja.es/servlet/articulo?codigo=5638762
Ortiz, J. (2021). Los 10 bailes tradicionales del Ecuador más populares. Lifeder.com. https://www.lifeder.com/bailes-tradicionalesecuador/
Ossonna, P. (1976). La educación por la danza : enfoque metodológico. Buenos Aires: Paidos.https://books.google.com.cu/books/about/La_educaci%C3%B3n_por_la_danza_enfoque_metod.html?id=WKNnPwAACAAJ&redir_esc=y
Peralta Jara, H. H. (2020). La danza tradicional ecuatoriana y el desarrollo del dominio escénico en estudiantes de octavo año de básica de la Unidad Educativa "Pedro Vicente Maldonado", Riobamba, Período 2019- 2020. Universidad Nacional de Chimborazo, Riobamba. http://dspace.unach.edu.ec/handle/51000/7208
Pérez, M. (2020). Definición de Danza. Concepto Definición. http://conceptodefinicion.de/danza/
Rubio, M. (2015). Fotografías de la danza contemporánea independiente, Santiago de Chile, 1973-1989. Santiago de Chile: Ediciones Metales Pesados."https://issuu.com/fotodanzachile/docs/fotografias_de_la_danza_contempora n_582b5c33e943e6/13
Santana Díaz, L. K. de la C. S., García, L. R. A., & Torreira, Ms. E. A. M. (2019). Un recorrido por la Danza. Revista Científica Cultura, Comunicación y Desarrollo, 4(1), 10–15. https://rccd.ucf.edu.cu/index.php/aes/article/view/187
Sernaqué Algarate, M. K. (2020). Preparación física y lesiones musculo - esqueléticas en estudiantes de una Escuela Nacional Superior de Folklore de Lima, https://repositorio.ucv.edu.pe/handle/20.500.12692/47943